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resolving audio
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Contributed by
Glen
Berry
Glen Berry is an award winning filmmaker and the Editor of film underground. Berry has written for Moviemaker magazine and FilmFestivals.com
I have a technical question - I want to shoot s16 - then dump it to Avid -
create an EDL - then cut an answer print. I was told by the Post-Production
house that I have to then transfer my s16 answer print back to avid - make
the soundtrack on protools(myself - because of low budget) and synch it to
the avid - and then they would create the 35mm optical track synched to the
soundtrack(+timecode). I am concerned that there will be synchronization
problems because of the difference in frame rates - and so blow my optical
soundtrack...can you help?
The simple answer to your question is that you nee
dn't worry about the differences in frame rates because the lab can do what's called "resolving", which is altering the speed of your sound to compensate for the changes in the real-time relationships between pix and sound created in the telecine transfer.
Good luck with your film.
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